Aus der Casting-Show an die Schwelle. Theoretisierungen politischer Handlungsfähigkeit in der Postdemokratie in Raul Zeliks Roman "Der Eindringling"
DOI:
https://doi.org/10.15203/ozp.271.vol44iss4Keywords:
Raul Zelik, Der Eindringling, post-democracy, political agency, narratives, threshold metaphorAbstract
How to recuperate perspectives of political agency and emancipation is one of central issues in current theories of post-democracy. By reading Raul Zelik’s novel Der Eindringling (2012) and its portrayal of present ‘post-political’ youth and pop cultures, the article asks how narratives of restricted agency and absent collective political action are updated and challenged by the text. It discusses how the theshold metaphor is used in the novel to theorize current perspectives of political emancipation in ‘hermetic’ times. The metaphor is also employed by Zelik in some of his non-fictional texts, in Der Eindringling, however, it is conjoined with a literary account of subjectivization, feelings, and political emotions, that are crucial to political movement and agency. Thus, alongside its’ post-democratic ‘problem horizon’, the article investigates into the productive contribution and ‘textual co-operation’ (M. Löffler) of fictional narratives to political theory.Downloads
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2015-11-01
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Research Article
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